Jan Fabre’s latest series of works includes brilliant coral sculptures, as if ready to be offered to a temple, and blood drawings. The practice of comprehension of the mystery makes him dialogue with the artists and alchemists of the Renaissance, who tried to explain both the enigma of human formation and the origin of art on the basis of laboratory research, as well as with those religious writers who tried to understand the essence of the sacrament of marriage, one of the five (or seven) great sacraments, through the detailed study of sanctified texts.