{"id":300856,"date":"2013-05-29T00:00:00","date_gmt":"2013-05-28T22:00:00","guid":{"rendered":"https:\/\/www.liberdomus.it\/prodotto\/idee-du-style-dans-lhistoriographie-9788888168982-2\/"},"modified":"2024-07-29T14:19:28","modified_gmt":"2024-07-29T12:19:28","slug":"idee-du-style-dans-lhistoriographie-9788888168982-2","status":"publish","type":"product","link":"https:\/\/www.liberdomus.it\/en\/prodotto\/idee-du-style-dans-lhistoriographie-9788888168982-2\/","title":{"rendered":"L'd\u00e9e du style dans l\u2019historiographie artistique : variantes nationales et transmissions, sous la direction de Sabine Frommel et Antonio Brucculeri"},"content":{"rendered":"<p>Ce volume explore l\u2019id\u00e9e du style et son \u00e9volution au fil du temps. Il situe le XIXe si\u00e8cle au c\u0153ur d\u2019une enqu\u00eate qui traverse de nombreux contextes politiques et culturels et qui concerne les milieux des sciences humaines et de la Geistesgeschichte. Les contributions qu\u2019il r\u00e9unit mettent au jour non seulement la diversit\u00e9 des points de vue et des orientations, mais aussi la d\u00e9finition de terminologies et la gen\u00e8se de m\u00e9thodes que la jeune discipline de l\u2019histoire de l\u2019art emprunta \u00e0 d\u2019autres champs du savoir, dans les sciences et dans les arts. Cat\u00e9gorie constante du r\u00e9pertoire critique, cette notion a permis de distinguer les multiples t\u00e9moignages de l\u2019histoire artistique selon des typologies et des trajectoires qui refl\u00e8tent des continuit\u00e9s et des ruptures. Si le style est devenu une caution scientifique indispensable toujours d\u2019actualit\u00e9, le risque d\u2019une r\u00e9duction de la richesse des occurrences et d\u2019une uniformisation des courants a accompagn\u00e9 son d\u00e9veloppement. Par cette cat\u00e9gorie interpr\u00e9tative on a pu r\u00e9duire les \u0153uvres d\u2019art \u00e0 des expressions strictement formelles, sans \u00e2me. Elles ont \u00e9t\u00e9 plac\u00e9es dans un univers st\u00e9rile d\u00e9pourvu d\u2019acteurs, de commanditaires et d\u2019artistes, en niant les conditions, souvent complexes, de leur conception et de leur r\u00e9alisation. L\u2019id\u00e9e du style a par ailleurs fourni le moyen de d\u00e9voiler les motivations et les impulsions sous-jacentes aux cr\u00e9ations : elle a contribu\u00e9 \u00e0 r\u00e9v\u00e9ler les pr\u00e9dilections et les pr\u00e9occupations majeures d\u2019une p\u00e9riode et \u00e0 \u00e9clairer leurs liens avec l\u2019environnement politique, religieux, social et intellectuel. Il a \u00e9t\u00e9 possible aussi d\u2019int\u00e9grer cette cat\u00e9gorie au sein d\u2019id\u00e9ologies nationalistes et d\u2019en faire un outil op\u00e9rant dans les sombres processus de th\u00e9orisation de la s\u00e9gr\u00e9gation raciale. Dans toutes ses diff\u00e9rentes applications, le terme style touche \u00e0 l\u2019identit\u00e9 de la discipline, au nerf vital de son potentiel scientifique, de sorte qu\u2019une histoire de l\u2019art pr\u00e9sent\u00e9e \u00e0 travers l\u2019histoire de l\u2019id\u00e9e du style peut \u00e9clairer les grands axes de sa formation. Soumises aux priorit\u00e9s des historiens novateurs, les interpr\u00e9tations vari\u00e9es du style b\u00e9n\u00e9fici\u00e8rent de la circulation et des assimilations dans d\u2019autres milieux intellectuels, au-del\u00e0 des fronti\u00e8res. Loin de vouloir brosser un panorama int\u00e9gral, le volume expose quelques moments magistraux de l\u2019\u00e9volution de cette cat\u00e9gorie. Ainsi s\u2019agit-il d\u2019inviter le lecteur \u00e0 formuler des comparaisons, \u00e0 d\u00e9couvrir des affinit\u00e9s et des contrastes, \u00e0 saisir des appropriations et des refus, \u00e0 lever le voile sur les dynamismes et les inerties qui marquent les \u00e9tapes de la naissance et de la construction de l\u2019histoire de l\u2019art en tant que champ disciplinaire \u00e0 part enti\u00e8re.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ce volume explore l\u2019id\u00e9e du style et son \u00e9volution au  [&#8230;]<\/p>\n","protected":false},"featured_media":223572,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[72358],"product_tag":[],"editore":[27463],"autore":[],"curatore":[],"condizione":[26342],"lingua":[24180],"tipo_edizione":[],"tipo_pubblicazione":[24232],"dewey":[26003],"genere":[],"contenuto":[24238],"class_list":{"0":"post-300856","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art-and-art-history","7":"editore-campisano-editore","8":"condizione-new","9":"lingua-francese-en","10":"tipo_pubblicazione-monograph","11":"dewey-historical-geographic-persons-treatment","12":"contenuto-indice-en","14":"first","15":"instock","16":"shipping-taxable","17":"purchasable","18":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.8 - 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